This week marks the start of Cannes 2025. We are so lucky that this year we are going in support of three exceptional films mixed at Bleat, two of which we completed full sound post for – and we couldn’t think of a better place for them to premiere than the prestigious Festival de Cannes.
We are incredibly proud to have joined these teams on their adventures in the lead up to the festival.
In Competition: Lynne Ramsay’s ‘Die, My Love’
Producers include Justine Ciarrocchi and Lawrence on behalf of Excellent Cadaver, as well as Martin Scorsese, and Andrea Calderwood. A Black Label Media, Potboiler, Excellent Cadaver and Sikelia production.
Post Production Supervisor: Gisela Evert
Post Production Coordinator: Lewis Humble
Supervising Sound Designer: Paul Davies
Sound Designer: Tim Burns
Re-recording Mixers: Andrew Stirk and George Elliott
Dialogue Editor: Linda Forsén
Un Certain Regard: Harris Dickinson’s feature debut ‘Urchin’
Produced by Archie Pearch for Devisio Pictures and Scott O’Donnell for Somesuch
Post Production Supervisor: Nadiya Luthra
Post Production Coordinator: Rhianna Andrews
Sound Supervisor and Re-recording Mixer: Steve Single
Sound Designer: Ian Wilson
Un Certain Regard: Harry Lighton’s feature debut ‘Pillion’
Produced by Lee Groombridge, Emma Norton & Lucy Drury for Element Pictures Group and Eva Yates for BBC Films.
Post Production Supervisors: Shaheen Schleifer and Karen Redfern
Post Production Coordinator: Stephen Walsh
Sound Supervisors and Re-recording Mixers: Christopher Wilson and Gunnar Óskarsson